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Av Wenche Waagen, Jens Knigge, Elin Angelo, Morten Sæther, 2021, Ebok

Bok 2 i serien MusPed:Research
This anthology presents music pedagogical research as a field of integrated reflection that transcends institutional and disciplinary barriers. The anthology aims to reinforce thinking, knowledge development and collaboration in the broad landscape of music pedagogical research and education. The authors are associated with performance music education, pre-service and in-service teacher education, specialist music teacher education, and early childhood teacher education.
Through 14 chapters, the anthology examines admission tests and assessment guidelines in performing music education, music in interdisciplinary work in teacher education, notions of musicality in early childhood teacher education, entrepreneurship in higher music education, the principle instrument in general music teacher education, evaluation of concert production in music teacher education, multiculturalism across various music teacher educations, pipe organ education for children, dilemmas in Scandinavian choir-leader education, work experiences of female professors in music education, a performing musician’s path to becoming a researcher, state funding and the mandate of performance music education, and the discursive terms of music/teacher education at four institutions of higher education. The topics and discussions addressed in these chapters are central across the higher educational programs that qualify students to teach in the various fields of music education.
This anthology presents music pedagogical research as a field of integrated reflection that transcends institutional and disciplinary barriers. The anthology aims to reinforce thinking, knowledge development and collaboration in the broad landscape of music pedagogical research and education. The authors are associated with performance music education, pre-service and in-service teacher education, specialist music teacher education, and early childhood teacher education.
Through 14 chapters, the anthology examines admission tests and assessment guidelines in performing music education, music in interdisciplinary work in teacher education, notions of musicality in early childhood teacher education, entrepreneurship in higher music education, the principle instrument in general music teacher education, evaluation of concert production in music teacher education, multiculturalism across various music teacher educations, pipe organ education for children, dilemmas in Scandinavian choir-leader education, work experiences of female professors in music education, a performing musician’s path to becoming a researcher, state funding and the mandate of performance music education, and the discursive terms of music/teacher education at four institutions of higher education. The topics and discussions addressed in these chapters are central across the higher educational programs that qualify students to teach in the various fields of music education.
Jens Knigge er professor i musikkpedagogikk ved Nord universitet, Fakultet for utdanning og kunst. Hans forskningsinteresser inkluderer musikklærerutdanning, musikalsk kompetanseutvikling og psykologiske aspekter ved musikalsk undervisning og læring. Han har vært aktiv i ulike verv som styremedlem og redaktør for både nasjonale og internasjonale forskningsprosjekter innen musikkutdanning.

Elin Angelo er professor i musikkpedagogikk ved NTNU (Institutt for musikk/ Institutt for lærerutdanning) og var fra 2021–2024 professor II ved Nord universitet (fakultet for lærerutdanning og kunst- og kulturfag). Hennes forskning dreier seg særlig om musikkundervisning og kulturskoleutvikling.
Morten Sæther er førstelektor ved seksjon for musikk ved Dronning Mauds Minne Høgskole. I tillegg har han utdanning innen spesialpedagogikk og drama. Han har skrevet flere bøker om musikk og pedagogikk. Sæther har holdt en rekke kurs for ansatte i skole og barnehage og har hatt innlegg på konferanser i inn- og utland. Han har i mange år vært engasjert i barnehageutvikling og utdanningsprosjekter i det sørlige Afrika. I tillegg til lang undervisningserfaring ved DMMH, har han erfaring fra kulturskole og barneskole og fra frivillig musikkliv i Trondheim.